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    You are at:Home » LIVE REVIEW: Interpol at Prospect Park
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    LIVE REVIEW: Interpol at Prospect Park

    By Chris RyanSeptember 10, 2015001 Min Read
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    interpol, prospect park, live show
    Photo Courtesy David Andrako

    Interpol fans delight! Non-Interpol fans stay away! Paul Banks tried to live up to his dramatic, dark, wonderful album vocals once again and once again he failed miserably. Is it because he’s a smoker? Or does he need to take up smoking? All I know is, I can do the Paul Banks voice in my sleep, don’t know why Paul Banks can’t. During “The New”, Daniel Kessler seemed to have slow hands, as the whole band was out of sync and Paul wore it on his face. With a band as mathematical as Interpol, just one obstacle can really send the whole thing swirling away into oblivion. Did I mention I LOVE Interpol? So none of this phased me. The concert was awesome. They played Leif Erikson. So dramatic. The encore was amazing. If memory serves, the second encore of Lights was even better.

    -Dan DeStefano

    PS Opening the show was Cosmicide, the band of Brandon Curtis who played in Secret Machines and is also a live member of Interpol.

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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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