Close Menu
AudioFuzz
    Most Reads

    Interview with Of Montreal

    Dynamic Queer Artist Model Child Debuts “Headlights”

    INTERVIEW: Palm Trees and Power Lines

    Facebook X (Twitter) Instagram
    • About Us
    • Contact Us
    • Disclaimer
    • Privacy Policy
    Facebook X (Twitter) Instagram Pinterest
    AudioFuzz
    • Home
    • Best New Music
      • Hot New Album Fridays
    • Tour
    • The Lists
    • Reviews
    • Interviews
    • News
    AudioFuzz
    You are at:Home » Disclosure at Madison Square Garden
    Reviews

    Disclosure at Madison Square Garden

    By Chris RyanDecember 15, 2015002 Mins Read
    Share Facebook Twitter Pinterest LinkedIn Tumblr Email
    Share
    Facebook Twitter LinkedIn Pinterest Email

    541267250_1280x720

    Radiohead at Bank of America Pavillion in Boston. Interpol at the Music Hall of Williimsburg. Yeah Yeah Yeahs at Googa Mooga in Brooklyn. And now Disclosure at Madison Square Garden. Number One Best Show of my Life(tm) is a title reserved only for a select four or five shows and Disclosure blew them away. Previous NOBSomL’s were more moody, experiemental, cerebral bands. Disclosure was a mix of mood and fun and dancing and all the things necessary for myself and my friend Molly to bust out of our shells, liquify our brains and spill them all over the floor through our noses. I tend to judge a show based on whether or not it had at least one Mind Blowing Moment(tm).

    Coldplay had one on their X&Y tour during Square One where the video wall behind them erupted in squares of yellow, blue, and orange light and proceeded to make my drug-free mind explode. Radiohead had one when Thom Yorke breaks into the chorus of “Ice Age Comin!” during idioteque and creates a cochophany of sound building on itself causing my brain to fold in on itself trying to comprehend the genius.

    Disclosure had it when the show came to a close with Latch and the video wall changed over to a wall of strobe lights that slowly built on themselves and went from random flashing to one giant pulse that caused my brain, eyeballs and throat the throb with it. Sweet. Magnets was surprisingly flat live, and Willing and Able, a song that I LOVE, was absolutely MURDERED by Kwabs. And not in a good way. He was so flat, he almost ruined it. But everything else was perfect. Dance, love, togetherness, it had it all.

    -Dan DeStefano

    disclosure electronic music
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleSoul Diva: Alma – “Medicine Man”
    Next Article Dark Love Song: Debrider – “Love Song”
    Chris Ryan
    • Website

    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

    Related Posts

    NYC Rock Gets a Reboot: The Thing Drop Explosive Self-Titled Album + Tour Dates

    August 6, 2025

    Freedom Fry Ignite the Senses with New Album ‘Best Friend’ – A Darkly Sweet Synth-Pop Gem

    August 6, 2025

    ‘Autofiction’ by Far Caspian — A Gentle Renascence in Dreamy Reflection

    August 3, 2025
    Add A Comment
    Leave A Reply

    You must be logged in to post a comment.

    Social Profiles
    • Facebook
    • Twitter
    • Instagram
    • Reddit
    • TikTok
    Top Posts

    Quindon Tarver: “When Doves Cry” by the Late, Great Legendary Prince

    Joanne “J-Bird” Phillips: My Legal Name Is “J-Bird”

    Interview with Of Montreal

    Tom Meighan (Ex-Kasabian Frontman) Releases Ultra-Fiery Song “White Lies”

    • Recent Posts
    • Popular Posts

    Big Thief Share Two New Singles & Announce Fall Tour Ahead of ‘Double Infinity’

    NYC Rock Gets a Reboot: The Thing Drop Explosive Self-Titled Album + Tour Dates

    Freedom Fry Ignite the Senses with New Album ‘Best Friend’ – A Darkly Sweet Synth-Pop Gem

    The Armed Drop Scorching “Broken Mirror” ft. Prostitute + Must-See Tour Kicks Off August 15

    CONTEST: Win 2 Tickets To See FLAMING LIPS + TAME IMPALA

    SEE: Adele – “When We Were Young- LIVE”

    King Krimzon Fires Back at ICP

    Freedom Fry gives “Smells Like Teen Spirit” a pop spin

    Copyright © 2025 AudioFuzz. All RIghts Reserved.
    • About Us
    • Contact Us
    • Disclaimer
    • Privacy Policy

    Type above and press Enter to search. Press Esc to cancel.