In Blue Angeles, Haux, the enigmatic project of Woodson Black, weaves a haunting narrative of self-discovery and redemption set against the vast backdrop of America’s highways. Black embarks on a poignant odyssey, fleeing the specters of his past, until he finds himself at a crossroads in Los Angeles. There, amidst the city’s frenetic pulse, he confronts his demons of addiction and spirituality, finding solace and renewal in the embrace of nature. This transformative journey leads him back home, where, alongside his closest confidante, he immerses himself in the serene wilderness of the East Mountain Retreat Center. Nestled on the Appalachian Trail, this haven of radical hospitality and spiritual pluralism becomes the crucible for the album’s completion. Amidst gardening and tree climbing, Black uncovers truths long obscured, stating, “In LA, I was lost in a facade, blind to the stars above and the false glimmers of Hollywood. The mountain was my awakening, a return to innocence, a sanctuary for introspection and gratitude.”
Since his 2016 debut EP, “All We’ve Known,” Woodson Black has consistently enchanted listeners with his ethereal falsetto and introspective artistry, crafting a sonic universe where tranquility reigns supreme. “Blue Angeles” stands as a mature reflection on growth and the cessation of flight from oneself. Black muses, “This album was a journey of maturation, a process years in the making, necessary for the evolution of my craft.” The project is a testament to Black’s artistic journey, following his critically acclaimed album “Violence in a Quiet Mind,” which garnered accolades from GRAMMY.com, The New York Times, and Pitchfork. Featuring standout tracks like “Calico” and “Eight” with Rosie Carney, “Blue Angeles” asks a profound question: “What happens when we stop running away?” Through its narrative, Haux not only provides an answer but also invites listeners into a reflective, deeply personal space. Check out “Carte Blanche” below: