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    You are at:Home » Neutrals’ ‘New Town Dream’: Exploring the Fine Line Between Dream and Nightmare in Thatcher-Era Britain
    New Music

    Neutrals’ ‘New Town Dream’: Exploring the Fine Line Between Dream and Nightmare in Thatcher-Era Britain

    By Chris RyanMay 6, 2024102 Mins Read
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    The neutrals, that’s him on the daft stuff again, indie rock, alt rock, alternative rock
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    The neutrals, that’s him on the daft stuff again, indie rock, alt rock, alternative rock

    Dream… or perhaps a nightmare? This is the underlying inquiry posed by Neutrals’ second LP, New Town Dream, as guitarist/vocalist Allan McNaughton’s lyrical narratives delve into the realm initially introduced in the band’s 2022 EP, “Bus Stop Nights.” Here, they present glimpses of the mundane realities experienced in the “New Towns” that burgeoned across the UK during the ’60s and ’70s. Through “New Town Dream,” McNaughton conceptually articulates the psychic tension of that era, where individuals were pushed to the margins, becoming mere cogs in a deeply flawed machine.

    The musical influences of Neutrals are firmly rooted in the era of the beleaguered Thatcherism spanning from the late ’70s to the late ’80s. Tracks like “Wish You Were Here” and “The Iron That Never Swung” resonate with a razor-sharp, rapid strum reminiscent of The Wedding Present. Meanwhile, “That’s Him on the Daft Stuff Again” and “Travel Agent’s Windows” pay homage to the naive, kaleidoscopic mod melodies tinged with cynicism akin to the Television Personalities. Furthermore, “Steven Proctor Bus Conductor” unfurls gradually, blending dark, rhythm-forward verses reminiscent of Josef K with transcendentally Pastels-esque pop choruses, accentuated by sugary-sweet backing vocals courtesy of bassist Lauren Matsui. These tracks encapsulate the perfect C86 sounds for the often harrowing realities of the present day. Check out “That’s Him On The Daft Stuff Again” below:

    alternative rock indie rock New town dream new towns thats him on the daft stuff again the neutrals
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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    1 Comment

    1. Don Peter on May 6, 2024 1:24 pm

      Thi sis Saturday. In the begginning I thought hot and fast paced salad on the roof an elephant would walk, but she was siiinging.

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