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    You are at:Home » Agender Unleashes Punk-Disco Anthem ‘Things Things Things’ – A Playful Take on Consumerism
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    Agender Unleashes Punk-Disco Anthem ‘Things Things Things’ – A Playful Take on Consumerism

    By Chris RyanSeptember 25, 2024002 Mins Read
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    LA-based post-punk band Agender just want to look good for the apocalypse with their latest cheeky, punk-disco track “Things Things Things” out today. It’s a lighthearted commentary on consumerism and the band invites listeners to join them on a shopping trip with its accompanying self-directed official music video. Plus, the band promises to share their punchy, synth-punk third album, Berserk, which captures the band’s distinctive manic, unhinged energy that matches living in today’s world, early next year.

    LA-based post-punk band Agender deliver a sharp, cheeky commentary on consumerism with their latest punk-disco track, “Things Things Things.” Dropping today alongside a self-directed music video, the track invites listeners on a satirical shopping spree, poking fun at the endless chase for material satisfaction. With a punchy blend of cutting guitars, melodic synths, and disco drums, Agender create an infectious anthem perfect for the manic energy of modern times.

    The lyrics are sharp and sardonic, with lead singer/guitarist Romy Hoffman declaring, “I know everything is bad, I just wanna look good for the apocalypse.” It’s a playful yet biting reflection on the hollow nature of consumer culture, underpinned by a pulsating bassline that Hoffman says was the starting point for the song. As the disco beat and guitars fell into place, the song wrote itself, tapping into the disillusionment of late-stage capitalism. Produced by Hoffman and David Scott Stone (LCD Soundsystem), mixed by Spencer Hartling (Self Improvement), and mastered by Bob Weston (Shellac), “Things Things Things” is a dance-ready track that highlights Agender’s knack for blending urgency with fun.

    Looking ahead, the band promises more of this chaotic, unhinged energy on their upcoming third album, Berserk, due early next year. If “Things Things Things” is any indication, Agender is poised to soundtrack the end times with style.

    agender alternative rock indie rock post-punk things things things
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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