Bambara’s ‘Birthmarks’ is a hauntingly ambitious odyssey that feels like a fever dream laced with fire and venom, marking a daring evolution for the trio. At its core is Reid Bateh’s fascination with reincarnation—not in a mystical, new-age sense, but as a stark exploration of how we carry our past selves, loves, and losses. It’s the kind of reincarnation where relationships collapse like old ruins, leaving echoes of ex-lovers in places they no longer belong. This concept spiraled into a cinematic narrative, spanning decades and drenched in frontier violence, dive bars, electric chairs, and women connected across generations through dreams and snakebites.
The result? Birthmarks, Bambara’s fifth album and follow-up to their 2020 breakout Stray, emerges as their most apocalyptic yet poignant work to date. Crafted alongside co-producer Graham Sutton (known for his work with These New Puritans and Jarvis Cocker), the album boasts a raw sonic adventurousness. It also features mesmerizing guest vocals from Madeline Johnston (Midwife) and Emma Acs (Crack Cloud), solidifying its status as a daring chapter in Bambara’s discography. Released on March 14th via Wharf Cat Records in North America and Bella Union elsewhere, Birthmarks feels like a new dawn for the band—a reincarnation, if you will.
The lead single, “Pray to Me,” is a thrilling entry point. Built on ghostly guitars and buzzing synths rather than their usual chaotic grit, the track signals the band’s sonic shift while retaining their signature darkness. It tells a gripping tale: a one-eyed man storms into a country karaoke night, knife in pocket and obsession in his heart, only to spiral into madness as jealousy and rage consume him. The song barrels forward with manic energy, mirroring the unraveling psyche of its protagonist. It’s a visceral, cinematic masterpiece that sets the stage for what’s to come.
For Reid, his twin brother Blaze (drums), and childhood friend William Brookshire (bass), Birthmarks arrives five years after Stray and three after their Love on My Mind EP. It reflects the weight of time and transformation. Drawing from the swamps of Georgia that shaped their youth and the shadowy allure of their adopted New York City home, Bambara has never sounded more precise or more expansive. Themes of decay and rebirth pulse through every track, marrying the apocalyptic with the deeply personal.
With a UK and EU tour already announced and North American dates on the horizon, Birthmarks promises to pull audiences deep into Bambara’s world. As the lead single “Pray to Me” makes clear, this is not just an album—it’s an immersive, visceral experience. Prepare to be captivated.