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    You are at:Home » The Antlers Return With the Hauntingly Beautiful Blight — A Meditation on Consumption and Consequence
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    The Antlers Return With the Hauntingly Beautiful Blight — A Meditation on Consumption and Consequence

    By Chris RyanOctober 10, 2025032 Mins Read
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    Peter Silberman of The Antlers stands in a sun-bleached field at dusk, surrounded by wild grass and fog, reflecting the album’s themes of decay, rebirth, and humanity’s bond with nature.

    Label: Midlake Records / Believe

    Rating: ★★★★★ 9/10

    After four years of silence, The Antlers have re-emerged with Blight, their most conceptually focused and sonically daring record since Hospice. Where that 2009 masterpiece turned inward—examining grief, trauma, and the fragility of love—Blight turns outward, confronting the planet’s slow decay and our complicity in it.

    On Blight, frontman Peter Silberman channels his signature introspection into something more expansive—a poetic reckoning with environmental collapse, human excess, and the uneasy beauty that persists amidst ruin. Recorded in his home studio in upstate New York, the album’s tone is both intimate and apocalyptic, like the soundtrack to a dream about the end of the world that somehow leaves you hopeful.

    Lead single “Carnage” sets the tone with a tense slow-burn that erupts into a chaotic crescendo—equal parts catharsis and collapse. The follow-up “Something in the Air” hums with existential dread, its orchestral “jump-scare” underscoring Silberman’s fear that something unspeakable looms just beyond comprehension. The title track, “Blight,” is the album’s beating heart: an eerie meditation on consumption, likening humanity to “ravenous moths” drawn to the artificial light of convenience and greed.

    Despite the darkness, Blight is far from despairing. The arrangements are lush and alive—acoustic textures melt into throbbing synths, songs morph midstream, and Silberman’s voice glows with weary compassion. It’s a record of contradictions: organic yet mechanical, mournful yet life-affirming.

    As Silberman told NPR, Blight asks “Who will look after what we leave behind?”—a question that lingers long after the last note fades. It’s not a sermon, but a mirror; not a requiem, but a reckoning.

    “Will we be forgiven should there come a great flood to drown out our decisions?” Silberman asks in the record’s haunting penultimate track, “A Great Flood.” The silence that follows feels like the album’s most powerful answer.

    Listen / Watch

    🎧 Listen to Blight

    🎥 Watch “Blight” Official Lyric Video

    🎥 Watch “Carnage” Official Video

    🎥 Watch “Something in the Air” Visualizer

    Live Shows

    🗓 Album Release Performance

    Oct 22 – New York, NY @ Le Poisson Rouge 🎟 Tickets + Tour Info

    Critical Praise for Blight

    “The best thing they’ve done since Hospice.” — NPR

    “Everything you’ve ever loved about The Antlers: cinematic, ineffable, transcendent.” — Paste

    “Powerful and exquisitely crafted.” — Record Collector (4/5)

    album review ambient pop Believe Music Blight Carnage concept album environmental music Green to Gold Hospice indie rock Michael Lerner Midlake Records new album Peter Silberman Something in the Air The Antlers
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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