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    You are at:Home » Daniel Avery’s ‘Tremor’ shakes the electronic world—bold, expansive, collaborative.
    New Music

    Daniel Avery’s ‘Tremor’ shakes the electronic world—bold, expansive, collaborative.

    By Chris RyanOctober 31, 2025053 Mins Read
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    Daniel Avery, Tremor, Rapture in Blue, Domino, electronic album 2025, techno, shoegaze, acid house, Andy Bell, Alison Mosshart, club-listening, immersive record
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    Daniel Avery, Tremor, Rapture in Blue, Domino, electronic album 2025, techno, shoegaze, acid house, Andy Bell, Alison Mosshart, club-listening, immersive record

    Daniel Avery has long been a master at straddling the liminal space between club floor euphoria and headphone introspection. With his latest album, Tremor, set for release on October 31, 2025 via Domino Recording Company, he takes that duality and runs it through the amplifier—resulting in one of his most ambitious statements to date. 

    The Sonic Vision

    From the lead single “Rapture in Blue” (featuring Cecile Believe), Avery signals his intent to expand—not just his sound palette, but his conception of what an electronic album can be. 

    He describes Tremor as “a living and breathing collective… a studio in the sky… the doors flung open wider still to allow in every influence from my musical journey.” 

    That journey shows: echoes of acid-house stabs, shoegaze guitar textures (thanks to buffs like Andy Bell of Ride), post-punk grit (with help from Alison Mosshart), and ambient drift all collide. Rather than a clean compartmentalising of styles, Avery layers them, allowing one to bleed into another. The title Tremor is apt: the album vibrates, quakes, unsettles.

    Highlights & Structure

    The record opens with synths that shimmer like heat on tarmac, then lurches into rubble-rock guitar and techno kick drums. Tracks like “Rapture in Blue” anchor its celestial ambition; others dig into mood-scapes where you sense the club’s bass vibrating your ribcage and the headphone’s whisper brushing your ear at once.

    Avery’s production is lavish but not gratuitous—every texture feels earned. Mistakes, glitches and loops purposely wobble; the unexpected becomes part of the architecture rather than an interruption. As he has said in past work, he embraces the edge, not hiding the imperfections but leaning into them. 

    Context & Evolution

    When compared with his previous album Ultra Truth (2022), which critics hailed as a dark, dense triumph, Tremor feels more expansive and outward-looking. While Ultra Truth secluded you in internal shadows, Tremor invites you out into the world—though the world it invites you into is a fractured, pulsing, electrified one. 

    Strengths

    • A bold, multi-modal statement: Avery doesn’t just make techno or ambient—they integrate into something larger.
    • Rich collaboration: The guest list elevates rather than distracts.
    • Emotional heft: Even amid beats and noise, there’s humanity.

    Weaknesses

    • The density could overwhelm; this isn’t casual background listening.
    • Fans of his earlier, purer club work might miss the streamlined dancefloor immediacy.

    Verdict

    Tremor is a definitive chapter in Daniel Avery’s catalogue. It doesn’t simply advance his sound—it broadens his scope. If you approach it with headphones and intention, it reveals itself in layers, like a hidden city of rhythm, texture and emotion. For listeners willing to dive deep, it delivers richly. 8.5 / 10

    Follow Daniel Avery: Website

    acid house Alison mosshart Andy Bell club-listening Daniel Avery domino electronic album 2025 immersive record Rapture in Blue shoegaze Techno Tremor
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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