Close Menu
AudioFuzz
    Most Reads

    Interview with Of Montreal

    Street Eaters Talk Trauma, Catharsis & Punk Survival on Opaque in our Exclusive Interview

    Dynamic Queer Artist Model Child Debuts “Headlights”

    Facebook X (Twitter) Instagram
    • About Us
    • Contact Us
    • Disclaimer
    • Privacy Policy
    Facebook X (Twitter) Instagram Pinterest
    AudioFuzz
    • Home
    • Best New Music
      • Hot New Album Fridays
    • Tour
    • The Lists
    • Reviews
    • Interviews
    • News
    AudioFuzz
    You are at:Home » Shlohmo returns with ‘Repulsor’ — a haunting re-entry into the electronic underworld
    Best New Music

    Shlohmo returns with ‘Repulsor’ — a haunting re-entry into the electronic underworld

    By Chris RyanNovember 3, 2025053 Mins Read
    Share Facebook Twitter Pinterest LinkedIn Tumblr Email
    A moody silhouette of Shlohmo against red-toned lighting, tape reels and synth racks glinting behind him — poised in the space between beat and silence.
    Share
    Facebook Twitter LinkedIn Pinterest Email

    A moody silhouette of Shlohmo against red-toned lighting, tape reels and synth racks glinting behind him — poised in the space between beat and silence.

    Los Angeles-based producer Shlohmo (Henry Laufer) re-emerges with his fourth studio album Repulsor, released via R&R. This marks his first full-length in five years, and wisely so: the hiatus has sharpened his vision. 

    Ten tracks (twelve in some editions) clock in at about 42 minutes and see Shlohmo melding his signature lo-fi textures, ghostly vocals, and club-floor bruised drums into something both more direct and more unsettling. 

    Sound & Scope

    From the opening track, the album plunges into a deep resonance: kick drums drum like distant thunder, half-heard vocal samples drift like apparitions, and layers of analog hiss and digital grit accumulate until you feel stranded in the centre of a cathedral of broken signals.

    Shlohmo keeps the darkness from becoming atmospheric fluff by threading through melodies that feel wounded but unforgettable—think of a shadow of early Burial, the grit of arca’s wildest moments, and the bodily pull of industrial-synth bruisers.

    Tracks like “Chore Boy (feat. SALEM)” (one of the lead singles) exemplify this blend — dense, brooding, yet somehow hypnotic in its insistence. The contrast between club-ready kicks and ambient aftermath gives Repulsor a sense of motion, of collision, of escape and return.

    Themes & Emotional Core

    Shlohmo has long trafficked in the hazy space between sorrow and addiction, night and dawn, the real and the imagined. On Repulsor, those themes come into focus: the weight of memory, the ache of wanting connection, the alienation of modern life.

    And yet, there’s a strange radiance — moments of release in the darkness, of weird beauty emerging from the decay. It’s not comfort music; it’s survival music.

    Comparison to Previous Work

    Where 2019’s The End sealed Shlohmo’s reputation as a boundary-walker between ambient gloom and beat-driven propulsion, Repulsor feels like a recalibration. The sound is leaner, the blows harder, the emotional register more immediate than the drift-and-hover feel of Dark Red (2015). 

    For longtime fans, there’s the familiar sonic hallmarks — tape artifacts, half-buried samples, buried vocal snippets — but here they serve something sharper. This is not just background mood lighting; this is light cast through broken glass.

    Highlights & Weaknesses

    Highlights

    • An immersive production aesthetic: every texture is tactile.
    • Emotional clarity: Shlohmo’s best work when you feel the beats in you, not just around you.
    • Thoughtful pacing. At ~42 minutes, the album doesn’t overstay its welcome.

    Weaknesses

    • The dense atmosphere may alienate casual listeners seeking hooks or pop structure.
    • A few tracks drift without distinct peaks; in a stronger album these might have been omitted or varied more.

    Verdict

    Repulsor is a triumph of tone and tension. Shlohmo has crafted an album that isn’t comfortable—but it’s compelling. It inhabits the night, invites you in, and leaves you changed. It may not be a blockbuster dancefloor album—but it is an essential Shlohmo album, reminding us that the deepest grooves can lie in shadows. 8.0 / 10

    Listen / Buy

    Stream on platforms now. 

    Find at Bandcamp / official stores.

    ambient beats dark club electronic album 2025 experimental techno lo-fi textures Los Angeles producer R&R Repulsor Shlohmo
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleREWIND: Creedence Clearwater Revival’s “Willy and the Poor Boys” Turns 56 — The Sound of Working-Class America
    Chris Ryan
    • Website

    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

    Related Posts

    Daniel Avery’s ‘Tremor’ shakes the electronic world—bold, expansive, collaborative.

    October 31, 2025

    HNAF: Florence + The Machine’s Everybody Scream roars into the void — a bold, haunted new era

    October 31, 2025

    New Single Out Now | Album ‘Unclouded’ Out December 5 via Domino | U.S. Tour Coming May 2026

    October 30, 2025
    Add A Comment
    Leave A Reply

    You must be logged in to post a comment.

    Social Profiles
    • Facebook
    • Twitter
    • Instagram
    • Reddit
    • TikTok
    Top Posts

    Quindon Tarver: “When Doves Cry” by the Late, Great Legendary Prince

    Joanne “J-Bird” Phillips: My Legal Name Is “J-Bird”

    Interview with Of Montreal

    Street Eaters Talk Trauma, Catharsis & Punk Survival on Opaque in our Exclusive Interview

    • Recent Posts
    • Popular Posts

    Shlohmo returns with ‘Repulsor’ — a haunting re-entry into the electronic underworld

    REWIND: Creedence Clearwater Revival’s “Willy and the Poor Boys” Turns 56 — The Sound of Working-Class America

    Daniel Avery’s ‘Tremor’ shakes the electronic world—bold, expansive, collaborative.

    HNAF: Florence + The Machine’s Everybody Scream roars into the void — a bold, haunted new era

    CONTEST: Win 2 Tickets To See FLAMING LIPS + TAME IMPALA

    SEE: Adele – “When We Were Young- LIVE”

    King Krimzon Fires Back at ICP

    runo plum Shares Stirring New Single and Video “Pond” — Announces U.S. Tour Ahead of Debut LP patching

    Copyright © 2025 AudioFuzz. All RIghts Reserved.
    • About Us
    • Contact Us
    • Disclaimer
    • Privacy Policy

    Type above and press Enter to search. Press Esc to cancel.