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    You are at:Home » SEE: Moody Indie Rock | Ducks Ltd. – “Heavy Bag” + Tour Dates
    New Music

    SEE: Moody Indie Rock | Ducks Ltd. – “Heavy Bag” + Tour Dates

    By Chris RyanJanuary 29, 2024005 Mins Read
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    Heavy bag, ducks ltd., indie rock, moody rock, folk rock
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    Heavy bag, ducks ltd., indie rock, moody rock, folk rock

    Toronto’s Ducks Ltd. today shared their moody, slow-burning new song “Heavy Bag,” the fourth and final pre-release single from their forthcoming album Harm’s Way, out February 9, 2024 via Carpark Records. “It’s about despair and the way that misery loves company. The way that when people are in a bad place they try to undermine the people who are down there with them. To keep them and hold them there. It’s an incredibly ugly impulse, but one that if I’m being honest I’ve caught myself indulging in the past,” explains singer/lyricist Tom McGreevy. “We tried to do something we hadn’t done before on this one musically, and had to kind of reverse a lot of our instincts in building the arrangement. But it felt like what ultimately suited the song. Macie Stewart and Briar Darling ended up improvising a lot of the string layers at the end which had some really exciting results.”

    “Heavy Bag” arrives on the heels of additional album tracks “Train Full of Gasoline,” “Hollowed Out,” and “The Main Thing,” which saw praise from Billboard, Brooklyn Vegan, Consequence, Paste, Pitchfork, Stereogum, Rolling Stone, and Uproxx, among many others. Harm’s Way is available for pre-order. See “Heavy Bag” below:

    Following a handful of previously announced dates that include a February 8th hometown record release show at Sonic Boom, Ducks Ltd. will meet up with Ratboys in late March for a two-week U.S. tour. The band will then head overseas in May to play throughout Europe and the UK. A current itinerary is below.

    Ducks Ltd. make inviting and frenetic guitar pop for when life feels overwhelming. While the band’s songs are ostensibly breezy, a palpable anxiety boils underneath that communicates something deeper about everyday existence. On Harm’s Way, the duo of McGreevy and guitarist Evan Lewis hones in on interpersonal and societal collapses, urban decay, and the near-impossibility of keeping a level head when everything around you seems to be falling apart.

    Even with its often dark subject matter, Harm’s Way is Ducks Ltd.’s most vividly rendered and collaborative collection yet. It’s an undeniable evolution for the band, not just in how these songs soar, but in their entire writing and recording processes. Composed on tour while supporting acts like Nation of Language, Illuminati Hotties, and Archers of Loaf, the album displays the band’s finely tuned songcraft and well-earned, road-tested confidence.

    The band, fortified by this strong sense of sonic identity and a self-assurance in their new material—and in contrast to their acclaimed 2021 debut LP Modern Fiction and their 2019 EP Get Bleak, both self-recorded and self-produced in a Toronto basement—wanted to bring Harm’s Way to life in a new city, with an outside producer, and with some of their favorite musicians. Working with producer Dave Vettraino (Dehd, Deeper, Lala Lala), they enlisted a marquee cast of Windy City collaborators to round out the tracks on Harm’s Way, including: Finom’s Macie Stewart (violin, string arrangements); Ratboys’ Marcus Nuccio (drums on most tracks); Dehd’s Jason Balla (who helped arrange the backing vocals, to which he also contributed); and backing vocals from Julia Steiner (Ratboys), Nathan O’Dell (Dummy), Margaret McCarthy (Moontype), Rui De Magalhaes (Lawn), and Lindsey-Paige McCloy (Patio). The band’s touring drummer, Jonathan Pappo, and bassist Julia Wittman also appear on the LP.

    Harm’s Way is Duck Ltd.’s most intuitive and organic album yet, the result of keen observation, self-possessed songwriting, and a collaborative spirit. Building on the successes of their previous releases, the deeply relatable album displays a band operating at a nuanced, lyrical and musical best.

    Ducks Ltd. Upcoming Shows

    02/08/24 – Toronto, ON @ Sonic Boom (album release show) #
    02/10/24 – Montreal, QC @ Taverne Tour Festival
    03/08/24 – Philadelphia, PA @ Kung Fu Necktie
    03/09-10/24 – New York, NY @ New Colossus
    03/28/24 – Louisville, KY @ Zanzabar *
    03/29/24 – Chattanooga, TN @ Barking Legs Theater *
    03/30/24 – Asheville, NC @ Eulogy *
    04/01/24 – Charlotte, NC @ Snug Harbor *
    04/02/24 – Richmond, VA @ Richmond Music Hall *
    04/04/24 – Baltimore, MD @ Ottobar *
    04/05/24 – Hamden, CT @ Space Ballroom *
    04/06/24 – Portland, ME @ Space Gallery *
    04/07/24 – Burlington, VT @ Higher Ground Showcase Lounge *
    04/08/24 – Rochester, NY @ Bug Jar *
    04/10/24 – Ann Arbor, MI @ Blind Pig *
    04/11/24 – Bloomington, IN @ Bishop *
    04/12/24 – Iowa City, IA @ Gabe’s *
    05/11/24 – Esch/Alzette, LU @ Out Of The Crowd Festival
    05/14/24 – Porto, PT @ CCOP
    05/15/24 – Lisbon, PT @ Musicbox
    05/19/24 – Birmingham, UK @ Hare & Hounds
    05/20/24 – Liverpool, UK @ Stockroom
    05/21/24 – Leeds, UK @ Headrow House
    05/22/24 – Glasgow, UK @ Broadcast
    05/23/24 – Edinburgh, UK @ Sneaky Pete’s
    05/24/24 – Manchester, UK @ New Century Hall All Dayer
    05/25/24 – Bristol, UK @ Dot to Dot
    05/26/24 – Nottingham, UK @ Dot to Dot
    05/27/24 – London, UK @ Moth Club
    05/29/24 – Tours, FR @ Oxford Pub
    05/30/24 – Rennes, FR @ L’UBU
    05/31/24 – Paris, FR @ Block Party
    06/01/24 – Clermont-Ferrand, FR @ La Coopérative de Mai
    06/05/24 – Antwerpen, BE @ Trix
    06/06/24 – Amsterdam, NL @ Paradiso

    # Only God Forgives and Cootie Catcher support
    * with Ratboys

    ducks ltd. folk rock Heavy bag indie earworm indie rock moody rock
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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