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    You are at:Home » Review: The Rebirth of Bleachers | ‘Bleachers’
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    Review: The Rebirth of Bleachers | ‘Bleachers’

    By Chris RyanMarch 9, 2024002 Mins Read
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    Bleachers, self-titled album, Jesus is dead, indie rock
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    Bleachers, self-titled album, Jesus is dead, indie rock

    Rating 9/10 – EXCEPTIONAL 

    The new Bleachers album, self-titled Bleachers, is a significant release that seems to represent a new beginning for the band, rather than just a continuation of their past work. Released on March 8, 2024, under Dirty Hit and Bleachers Band Recordings, it’s the band’s first album after departing from their former label RCA Records. This album stands out for its musical depth, careful layering of sounds, and emotional resonance across its tracks​​​​.

    The album opens with “I Am Right on Time,” setting the tone with its musical complexity and emotional depth, leading into a series of tracks that showcase the band’s signature sound while exploring new territory. “Modern Girl,” one of the album’s singles, blends elements of classic rock with modern sensibilities, featuring vibrant instrumentation and Antonoff’s insightful lyrics on modern life. The track “Jesus Is Dead” follows, offering a synth-pop sound with deep personal and social themes​​.

    “Me Before You” is highlighted as a beautiful synth ballad, demonstrating the album’s personal touch, as it explores love’s transformative power. This theme of personal reflection and growth continues with “Tiny Moves,” a song about observing and being moved by a partner’s small actions, presented with a nostalgic, synth-heavy pop sound​​.

    The collaboration with Lana Del Rey on “Alma Mater” brings a mix of Antonoff’s and Del Rey’s styles, creating a standout track that balances experimental sounds with thoughtful delivery. The album covers a broad spectrum of musical styles, from the reflective “Isimo” to the upbeat “Woke Up Today,” showing Antonoff’s range and depth as a songwriter and musician​​.

    Overall, the album is described as a love album, weaving together themes of romantic love, tribute to lost loved ones, and a celebration of music itself. The self-titling of the album at this point in their career is seen as a statement of identity and renewal, positioning Bleachers not just as a band, but as a deeply personal project of Jack Antonoff, one that carries his signature across different facets of the music world​​.

    For more detailed insights into the tracklist and the creative forces behind the album, Wikipedia provides a comprehensive overview, including the album’s personnel and the various musicians who contributed to its rich sound landscape​​. Check out “Tiny Moves” below:

    audio fuzz audiofuzz Bleachers indie rock jesus is dead self-titled album tiny moves
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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