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    You are at:Home » HLLLYH Rises from the Ashes of The Mae Shi with ‘URUBURU’ — Out June 27
    New Music

    HLLLYH Rises from the Ashes of The Mae Shi with ‘URUBURU’ — Out June 27

    By Chris RyanApril 9, 2025002 Mins Read
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    HLLLYH, URUBURU, The Mae Shi, Dead Clade, new album, art punk, DIY scene, Los Angeles punk history, San Francisco band, Team Shi, Tim Byron, Ezra Buchla, Jeff Byron, Brad Breeck, Corey Fogel, Dan Chao, James Baker, Burt Hashiguchi, The Smell, Kill Rock Stars, experimental punk, concept albums, The The cover, end-of-the-world music, punk revival

    Once a legendary name in L.A.’s DIY punk scene, The Mae Shi dissolved in 2009 after their beloved concept album HLLLYH—a frantic, spiritual blast of art-punk energy. Now, over a decade later, founding member Tim Byron has revived the spirit of that band under a new name: HLLLYH, with a debut album titled URUBURU, landing June 27 via Team Shi.

    Originally planned as the final Mae Shi record, URUBURU mutated into something else entirely. It’s a maximalist, genre-hopping concept album about ecological collapse, spiritual transcendence, and punk house party chaos. It’s written in English, Morse code, and machine language—and somehow still wildly fun.

    The first single, “Dead Clade,” roars with anthemic, synth-scorched bombast, drawn from long-lost demos dating back to 2009. It arrives alongside a cover of The The’s “This Is the Day” as a B-side and a brain-bending video available now on YouTube.

    The band’s current lineup includes OG members Tim Byron, Jeff Byron, Ezra Buchla, Brad Breeck, and Corey Fogel, with new members Dan Chao, James Baker, and Burt Hashiguchi joining since URUBURU was completed. They played their debut show with Brainiac this January at Bottom of the Hill in San Francisco.

    URUBURU is the first installment of a sprawling new universe that started as a final bow and became a bold new beginning.

    HLLLYH is glad you’re alive.

    Art Punk Brad Breeck Burt Hashiguchi concept albums Corey Fogel Dan Chao Dead Clade DIY scene end-of-the-world music experimental punk Ezra Buchla HLLLYH James Baker Jeff Byron Kill Rock Stars Los Angeles punk history new album punk revival San Francisco band Team Shi The Mae Shi The Smell The The cover Tim Byron URUBURU
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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