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    You are at:Home » LIVE REVIEW: Unknown Mortal Orchestra at Webster Hall 4/15/23
    New Music

    LIVE REVIEW: Unknown Mortal Orchestra at Webster Hall 4/15/23

    By Chris RyanApril 16, 2023002 Mins Read
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    Unknown mortal orchestra, Webster hall, umo, indie rock, alternative rock
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    Unknown mortal orchestra, Webster hall, umo, indie rock, alternative rock

    Unknown Mortal Orchestra took to the stage at 8:45pm promptly after having Seafoam Walls open the show. By 8:45pm there wasn’t an inch to move in the jam-packed Webster Hall main floor and balcony. This was a sold out show and their third night here too. After attending and witnessing the show it’s easy to see why they sell out so quickly.

    The band ran through a set of new and old material, heavy on the material from V, which was great and pleased the crowd. The crowd had the biggest reaction to the songs “Multi-Love” and “So Good at Being in Trouble” that came during the middle/end of the set. However, songs from V had everyone singing and swaying. It was great to see so many fans already know all the lyrics to the new material. The boys even played “Movin’ Out” by Billy Joel and “Shakedown Street” by the Grateful Dead.

    They jammed and made the show feel very intimate with the crowd. Ruban Nielson was very engaging with the crowd. They didn’t need fireworks or any spectacular costume changes because the music sells the band. The music is exceptional and Nielson sung with such fervor, which made it all the more appealing. If they come your way definitely make sure to check them out. Tickets here.

    Alt Psychedelic alternative rock indie rock psychedelic rock unknown mortal orchesta webster hall
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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