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Phoneboy Elevate Their Indie Rock on ‘Heartbreak Designer’—Album Out Now + Tour Dates
Chris Ryan
April 28
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Karneef’s ‘It’s How You Say It’ Is a Seven-Track Odyssey of Feeling and Sound
Chris Ryan
April 25
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HNAF: Luke Titus Blooms on ‘From What Was Will Grow A Flower’
Chris Ryan
April 25
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HNAF: Beirut’s A Study of Losses Delivers Elegiac Chamber-Pop Brilliance – 9/10 Review
Chris Ryan
April 18
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Deafheaven – “Lonely People With Power” Review
Chris Ryan
March 29
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HNAF: Perfume Genius Unveils ‘Glory’ — A Raw, Daring Triumph
Chris Ryan
March 28
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Sea Lemon’s ‘Diving For A Prize’ Is a Dream-Pop Gem Drenched in Pacific Northwest Magic
Chris Ryan
March 26
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late night drive home Grapples with Digital Despair on Dazzling Debut as I watch my life online
Chris Ryan
March 25
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Review: Luke Titus – ‘From What Was Will Grow A Flower’
Chris Ryan
March 25
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Japanese Breakfast’s ‘For Melancholy Brunettes (& Sad Women)’ Is a Stunning Evolution in Sound and Spirit
Chris Ryan
March 21
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HNAF: My Morning Jacket’s ‘is’ Is a Euphoric Leap Forward and Scores A 10
Chris Ryan
March 21
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Cola Boyy Celebrated on Vibrant Posthumous Album Quit to Play Chess
Chris Ryan
March 17
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HNAF: Twin Shadow Strips It Down: ‘Georgie’ is His Most Personal Album Yet
Chris Ryan
March 14
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Marie Davidson’s ‘City of Clowns’: A Dancefloor Rebellion Against Surveillance
Chris Ryan
March 9
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Darkside’s ‘Nothing’ Is the Soundtrack to Our Collective Dread
Chris Ryan
March 2
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HNAF: Panda Bear’s ‘Sinister Grift’ Delivers a Psychedelic and Emotional Odyssey
Chris Ryan
February 28
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Black Market Karma’s ‘Wobble’—A Psychedelic Lo-Fi Dream
Chris Ryan
February 2
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FKA twigs Redefines Pop with ‘EUSEXUA’: A New Era of Sound and Self-Discovery
Chris Ryan
January 25
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HNAF: Tom Meighan’s ‘Roadrunner’ Delivers Anthemic Rock and Deep Reflection
Chris Ryan
January 24
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Good Sad Happy Bad’s ‘All Kinds of Days’: A Minimalist Exploration of Change and Loss
Chris Ryan
January 19
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