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Music Review
Best New Music
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HNAF: HAIM’s ‘I Quit’ Is the Breakup Album of the Year!
Chris Ryan
June 20
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Jouska Unveils Haunting Dream-Pop Gem “Flower Moon”
Chris Ryan
June 20
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Unknown Mortal Orchestra Embraces the Dark Side on Haunting New ‘Curse EP’
Chris Ryan
June 20
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Stereolab Returns in Radiant Form with ‘Instant Holograms on Metal Film’
Chris Ryan
May 25
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Deafheaven – “Lonely People With Power” Review
Chris Ryan
March 29
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Milena Casado Unleashes a Defiant Jazz-Hip-Hop Hybrid with “O.C.T (Oda to the Crazy Times)”
Chris Ryan
March 19
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My Morning Jacket’s “Half A Lifetime” Turns a Lost Demo into an Electrifying Anthem
Chris Ryan
March 18
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LAKE Returns with ‘Bucolic Gone’ – Their Most Intimate and Sophisticated Album Yet
Chris Ryan
March 7
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Album Review: Lady Gaga – ‘Mayhem’
Chris Ryan
March 7
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Tapeworms Unveil “Pitch Pop” – A Euphoric Glimpse Into Grand Voyage
Chris Ryan
March 6
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Miki Berenyi Trio Skewer Toxic Masculinity on Electrifying New Single “Big I Am”
Chris Ryan
February 26
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Sharon Van Etten & The Attachment Theory Deliver a Haunting, Synth-Driven Masterpiece
Chris Ryan
February 9
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FKA twigs Redefines Pop with ‘EUSEXUA’: A New Era of Sound and Self-Discovery
Chris Ryan
January 25
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Good Sad Happy Bad’s ‘All Kinds of Days’: A Minimalist Exploration of Change and Loss
Chris Ryan
January 19
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Dance
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HNAF: Ela Minus Amplifies Emotion and Energy on ‘Día’
Chris Ryan
January 17
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HNAF: Dive into the Depths of the Unapologetic ‘The Human Fear’ by Franz Ferdinand
Chris Ryan
January 10
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4
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Phantom Handshakes Captures Magic on ‘Sirens at Golden Hour’ – One of the Best Albums of 2024
Chris Ryan
December 26
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Kim Deal Rewrites the Indie Rulebook on ‘Nobody Loves You More’
Chris Ryan
December 14
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Rubber Band Gun’s ‘Let’s See How Much Noise I Can Make Before…’: Raw, Intimate, and Unmissable
Chris Ryan
December 11
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CCL’s ‘Plot Twist’: A Genre-Defying ASMR Murder Mystery
Chris Ryan
December 10
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