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    You are at:Home » Album Review: Lady Gaga – ‘Mayhem’
    Best New Music

    Album Review: Lady Gaga – ‘Mayhem’

    By Chris RyanMarch 7, 2025002 Mins Read
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    Lady Gaga, Mayhem, new album, pop music, electro-grunge, dance pop, experimental pop, Bruno Mars, Gesaffelstein, Abracadabra, Killah, Die with a Smile, new music, music review, album of the year, pop queen, iconic music, dancefloor anthems, dark pop, futuristic pop, alternative pop, unstoppable Gaga

    Lady Gaga is back, and Mayhem is an absolute beast of an album—one that takes everything she’s mastered over the years and injects it with a new kind of chaos. Dropping March 7, 2025, via Interscope, this record is big, bold, and unpredictable, fusing her signature theatrical pop with electro-grunge, industrial beats, and a little bit of ‘80s swagger. It’s the kind of album that reminds you why Gaga is one of the most compelling artists in pop history—she never plays it safe, and Mayhem proves that more than ever.

    The album explodes out of the gate with “Disease” and “Abracadabra”, a pair of high-energy, club-ready bangers that instantly pull you into Gaga’s world. The latter has this infectious gibberish hook that’ll get stuck in your head the same way “Bad Romance” did—pure pop chaos in the best way. Then there’s “Killah”, a collaboration with French DJ Gesaffelstein, which is dark, brooding, and dripping with tension. This one is a certified dancefloor weapon, the kind of track you blast when you’re feeling untouchable.

    She doesn’t stop there—“Perfect Celebrity” is a scathing satire on fame and Hollywood excess, packing the kind of biting social commentary that made The Fame Monster so legendary. Meanwhile, “Shadow of a Man” and “Zombieboy” bring some serious Michael Jackson and Prince energy, loaded with funky basslines, slick guitar work, and a groove that feels both nostalgic and futuristic.

    And then we get to “Die with a Smile”, the grand finale and, honestly, one of the most powerful songs Gaga has ever released. A massive duet with Bruno Mars, it’s already making history as the fastest song to hit a billion streams on Spotify. The emotion in this track is off the charts, and the way their voices intertwine is nothing short of cinematic. It’s the perfect way to close out an album that feels like a fever dream of pop brilliance.

    Critics are already calling Mayhem her best album in 14 years, and honestly? They’re right. This album is wild, fearless, and unapologetically Gaga—a reminder that no one does pop spectacle like she does. Whether you’re in it for the stadium-sized bangers, the dark electronic experiments, or the raw, emotional moments, there’s something here for every era of Gaga fan.

    Bottom line? This is Gaga at her absolute best—unfiltered, unpredictable, and completely in control of the mayhem.

    Abracadabra album of the year alternative pop bruno mars dance pop dancefloor anthems dark pop die with a smile electro-grunge experimental pop futuristic pop Gesaffelstein iconic music Killah lady Gaga MAYHEM Music Review new album new music pop music pop queen unstoppable Gaga
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    Chris Ryan
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    Chris Ryan is the founder and visionary behind AudioFuzz.com, a destination for cutting-edge music discovery and cultural commentary. With a deep-rooted passion for music, community, and connection, Chris brings a rare blend of experience across the worlds of nightlife, activism, mental health, and media.Before launching AudioFuzz, Chris made his mark as one of New York City’s premier nightlife producers, curating some of the city’s most iconic events. Known for turning parties into immersive cultural experiences, his work was recognized by the Mayor of New York City, who awarded him for his contributions to activism and for fostering unity and visibility through nightlife. His events received multiple accolades for creativity, inclusivity, and social impact — always with a focus on bringing diverse communities together under one roof.Chris also produced SHINEOUT, the first-ever LGBT music festival, a groundbreaking celebration of queer artistry and music that set a new precedent in the industry.Driven by a lifelong desire to understand and support others, Chris pivoted to mental health, earning two master’s degrees and becoming a licensed psychotherapist. His clinical work reflects the same values that defined his nightlife career: empathy, authenticity, and the power of human connection.A global citizen and avid traveler, Chris has explored over 70 countries, using his journeys to inform the eclectic, international lens that defines AudioFuzz. From the underground clubs of Berlin to street performances in Bangkok, his firsthand experiences with music across cultures continue to fuel the site’s unique voice.Through AudioFuzz.com, Chris Ryan continues to celebrate the power of music to inspire, heal, and unite — curating a platform where queer voices, experimental sounds, and boundary-pushing artists take center stage.

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