Sharon Van Etten’s latest album, a collaboration with her band under the moniker The Attachment Theory, marks a bold evolution in her musical journey. Released in early 2025, this self-titled record delves into darker, synth-infused territories, showcasing Van Etten’s willingness to explore new sonic landscapes.
The album opens with “Live Forever,” where Van Etten’s ethereal vocals float over brooding electronic rhythms, setting a haunting tone that permeates the record. Tracks like “Afterlife” and “Idiot Box” lean heavily into 80s influences, with arpeggiated synths and restrained guitar work creating a gothic atmosphere reminiscent of bands like The Cure and New Order.
Van Etten confronts themes of mortality, compassion, and existential anxiety. In “Southern Life (What It Must Be Like),” she reflects on the challenges of parenthood and understanding differing perspectives, singing, “My hands are shaking as a mother / Trying to raise her son right.”
The collaborative nature of this project is evident in the cohesive interplay between Van Etten and her bandmates. Teeny Lieberson’s synths and piano, Jorge Balbi’s drums, and Devra Hoff’s bass provide a lush, dynamic backdrop that elevates Van Etten’s introspective songwriting. Producer Marta Salogni’s touch brings an expansive and meticulously crafted aesthetic to the album.
While some tracks may not resonate with all listeners, the album’s bold departure from Van Etten’s previous work is both refreshing and commendable. Sharon Van Etten & The Attachment Theory stands as a testament to the artist’s continual growth and her band’s collective synergy, making it an early contender for Album of the Year.