Hot New Music Friday Reviews | Audio Fuzz

Hot New Album Fridays

HNAF: Dive into the Depths of the Unapologetic ‘The Human Fear’ by Franz Ferdinand

January 10, 2025

HNAF: MØTRIK’s ‘MOON’: A Hypnotic Journey Through Krautrock’s Cosmic Realms

December 20, 2024

HNAF: Saint Etienne’s ‘The Night’: A Dreamlike Journey Through Twilight Sounds

December 13, 2024

HNAF: White Denim’s ‘12’: A Bold Step into Genre-Blending Brilliance

December 6, 2024

HNAF: Father John Misty Explores Life’s Big Questions on ‘Mahashmashana’

November 22, 2024

The Best Albums of 2024: A Year of Bold Sounds and Boundless Creativity

November 15, 2024

HNAF: Gwen Stefani Blooms Again with ‘Bouquet’

November 15, 2024

HNAF: Primal Scream Strikes Back with the Funk-Rock Fusion of ‘Come Ahead’

November 8, 2024

HNAF: Freddie Gibbs – ‘You Only Die 1nce’

November 1, 2024

HNAF: Tears for Fears’ ‘Songs for a Nervous Planet’ Blends Nostalgia and New Sounds

October 25, 2024

HNAF: Bear Hands Returns with ‘The Key to What’: A Bold New Chapter in Post-Punk Sound

October 18, 2024

Caribou, honey, electronic, dan snaith

HNAF: Caribou Bridges Dancefloor Rhythms and Emotional Soundscapes on ‘Honey‘

October 11, 2024

HNAF: The Smile Delivers Expansive and Experimental Brilliance with ‘Cutouts’

October 4, 2024

Kishi bashi, kantos, indie rock, alternative rock

Kishi Bashi Delivers a Mesmerizing Blend of Genres and Themes on New Album ‘Kantos’

September 27, 2024

Being dead, eels, indie psych, psych rock

HNAF: Being Dead Amplifies Their Quirky Indie Sound on Explosive New Album ‘Eels’

September 27, 2024

HNAF: Reflections on Youth and Disillusionment: Lutalo’s Bold Debut in ‘The Academy’

September 20, 2024